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Bioakustik, ein interdisziplinäres Gebiet der Biologie zwischen Klang und Umwelt, erfährt durch die Kunstkopf-Hörbilder des Naturforschers und Tonmeisters Walter Tilgner eine plastische, wissenschaftliche Erweiterung. Mit dem binauralen Kunstkopfverfahren zeichnet er nicht nur einzelne tier- und vogelkundliche Laute auf, sondern die gesamte Umgebung und ihr typisches Klangbild. Während die Tierstimmenanalyse etwa der Ornithologie einzelne Formen des Vogelgesangs untersucht, geht es ihm und Hörkünstlern wie Gordon Hempton, dem ‚Soundtracker‘, um das Wechselspiel zwischen den Arten in Zeit und Raum. Auch die pädagogische Seite spielt eine Rolle, um den Rezipienten Naturklang als wertvolle Ressource nahezubringen. 1985 hat der Pionier Tilgner die ersten Naturlandschaften vollständig digital aufgenommen und bei WERGO mit dem Label ‚Natural Sound‘ als CD publiziert. Für den Komponisten und Wissenschaftler Dr. Bernie Krause aus Kalifornien repräsentieren solche Aufnahmen ökologische Nischen in der Landschaft, von typischen Klangverläufen geprägt. In seinem eigenen Vergleich dichter Naturräume in Südamerika, Afrika und Asien werden sie unverwechselbar als akustischer Fingerabdruck nachweisbar. Der Künstler- Forscher hat mit der Spektralanalyse so nicht nur seine ‚Nischen-Hypothese‘ entwickelt und empirisch bestätigt, sondern auch den Begriff der Biophonie geprägt: Naturklänge entfalten sich wie in einem musikalischen Stück, sie sind der Komposition einer (Bio-)Symphonie vergleichbar. Die Stimmen der Spezies bilden arin den ‚materialen Klang‘ (den Ausdruck verdanken wir dem Komponisten Johannes Wallmann in Berlin). Darauf wirken die zeitlichen Prozesse und räumlichen Faktoren der Umwelt, als ‚Geophony‘ aus Klima und Flora, durch Sonne, Wind, Erde und Wasser. Schließlich verändert auch der Mensch die Naturlandschaft durch technische Geräte, wie in der Tonaufnahme, und durch extensives Wirtschaften hin zur ‚Anthrophony‘. Der Klang der Natur ist also menschgemacht, und die Aufnahmen bedeuten nicht nur wertvollen Rohstoff für die Medien. Bioakustik und Biophonie fordern den Dialog von und über Natur und Kultur immer wieder neu heraus, wie hier im Spektrogramm einer Waldcollage, mit einer starken Motorsäge als Mittelpunkt [2].
1000 Meilen unter Strom, Rekordfahrt des in Offenburg entwickelten eFahrzeugs "Schluckspecht"
(2012)
Nach der Entwicklung eines sparsamen Demonstrationsfahrzeugs mit Dieselmotor und Brennstoffzellenfahrzeuge wurde ein Batteriefahrzeug entwickelt, das in Südafrika unter der Aufsicht von FIA-Ingenieuren 626,6 km fuhr, ohne dass die Batterie aufgeladen werden musste. Ein Demonstrationsfahrzeug des Japan Electrical Vehicle Club hielt den damaligen Weltrekordmit 555,6 km.
Knight Götz von Berlichingen (1480–1562) lost his right hand distal to the wrist due to a cannon ball splinter injury in 1504 in the Landshut War of Succession at the age of 24. Early on, Götz commissioned a gunsmith to build the first “Iron Hand,” in which the artificial thumb and two finger blocks could be moved in their basic joints by a spring mechanism and released by a push button. Some years later, probably around 1530, a second “Iron Hand” was built, in which the fingers could be moved passively in all joints. In this review, the 3D computer-aided design (CAD) reconstructions and 3D multi-material polymer replica printings of the first “Iron hand“, which were developed in the last few years at Offenburg University, are presented. Even by today’s standards, the first “Iron Hand”—as could be shown in the replicas—demonstrates sophisticated mechanics and well thought-out functionality and still offers inspiration and food for discussion when it comes to the question of an artificial prosthetic replacement for a hand. It is also outlined how some of the ideas of this mechanical passive prosthesis can be translated into a modern motorized active prosthetic hand by using simple, commercially available electronic components.
Positioning mobile systems with high accuracy is a prerequisite for intelligent autonomous behavior, both in industrial environments and in field robotics. This paper describes the setup of a robotic platform and its use for the evaluation of simultaneous localization and mapping (SLAM) algorithms. A configuration using a mobile robot Husky A200, and a LiDAR (light detection and ranging) sensor was used to implement the setup. For verification of the proposed setup, different scan matching methods for odometry determination in indoor and outdoor environments are tested. An assessment of the accuracy of the baseline 3D-SLAM system and the selected evaluation system is presented by comparing different scenarios and test situations. It was shown that the hdl_graph_slam in combination with the LiDAR OS1 and the scan matching algorithms FAST_GICP and FAST_VGICP achieves good mapping results with accuracies up to 2 cm.
Recent developments in information and communication technology, along with advanced displaying techniques and high computational performance open up new visualisation methods to both scientists and lecturers. Thus simulations of complex processes [1] can be computed and visualised in image sequences. The particular idea in our approach is the outsourcing of computationally intensive calculations to servers which then send the results back to mobile users. In order to improve interpretations of the visualised results, users can view them in a 3D-perspective or stereoscopically, given the technical requirements. Today’s technology even permits to view these visualisations on a mobile phone. An example for such a computationally intensive calculation originating from the theory of relativity is depicted in Figure 4.1-1.
Disturbances of the cardiac conduction system causing reentry mechanisms above the atrioventricular (AV) node are induced by at least one accessory pathway with different conducting properties and refractory periods. This work aims to further develop the already existing and continuously expanding Offenburg heart rhythm model to visualise the most common supraventricular reentry tachycardias to provide a better understanding of the cause of the respective reentry mechanism.
Background: This paper presents a novel approach for a hand prosthesis consisting of a flexible, anthropomorphic, 3D-printed replacement hand combined with a commercially available motorized orthosis that allows gripping.
Methods: A 3D light scanner was used to produce a personalized replacement hand. The wrist of the replacement hand was printed of rigid material; the rest of the hand was printed of flexible material. A standard arm liner was used to enable the user’s arm stump to be connected to the replacement hand. With computer-aided design, two different concepts were developed for the scanned hand model: In the first concept, the replacement hand was attached to the arm liner with a screw. The second concept involved attaching with a commercially available fastening system; furthermore, a skeleton was designed that was located within the flexible part of the replacement hand.
Results: 3D-multi-material printing of the two different hands was unproblematic and inexpensive. The printed hands had approximately the weight of the real hand. When testing the replacement hands with the orthosis it was possible to prove a convincing everyday functionality. For example, it was possible to grip and lift a 1-L water bottle. In addition, a pen could be held, making writing possible.
Conclusions: This first proof-of-concept study encourages further testing with users.
In 4D printing, an additively manufactured component is given the ability to change its shape or function in an intended and useful manner over time. The technology of 4D printing is still in an early stage of development. Nevertheless, interesting research and initial applications exist in the literature. In this work, a novel methodical approach is presented that helps transfer existing 4D printing research results and knowledge into solving application tasks systematically. Moreover, two different smart materials are analyzed, used, and combined following the presented methodical approach to solving the given task in the form of recovering an object from a poorly accessible space. This is implemented by self-positioning, grabbing, and extracting the target object. The first smart material used to realize these tasks is a shape-memory polymer, while the second is a polymer-based magnetic composite. In addition to the presentation and detailed implementation of the methodical approach, the potentials and behavior of the two smart materials are further examined and narrowed down as a result of the investigation. The results show that the developed methodical approach contributes to moving 4D printing closer toward a viable alternative to existing technologies due to its problem-oriented nature.
A simple measuring method for acquiring the radiation pattern of an ultrawide band Vivaldi antenna is presented. The measuring is performed by combining two identical Vivaldi antennas and some of the intrinsic properties of a stepped-frequency continue wave radar (SFCW radar) in the
range from 1.0 GHz to 6.0 GHz. A stepper-motor provided the azimuthal rotation for one of the antennas from 0 ◦ to 360 ◦. The tests have been performed within the conventional environment (laboratory / office) without using an anechoic chamber or absorbing materials. Special measuring devices have not been used either. This method has been tested with different pairs of Vivaldi antennas and it can be also used for different ones (with little or no change in the system), as long as their operational
bandwidth is within the frequency range of the SFCW radar.
Keywords — SFCW Radar, Antenna Gain Characterization,
Azimuthal Radiation Pattern
Gamification is increasingly successful in the field of education and health. However, beyond call-centers and applications in human resources, its utilization within companies remains limited. In this paper, we examine the acceptance of gamification in a large company (with over 17,000 employees) across three generations, namely X, Y, and Z. Furthermore, we investigate which gamification elements are suited for business contexts, such as the dissemination of company principles and facts, or the organization of work tasks. To this end, we conducted focus group discussions, developed the prototype of a gamified company app, and performed a large-scale evaluation with 367 company employees. The results reveal statistically significant intergenerational disparities in the acceptance of gamification: younger employees, especially those belonging to Generation Z, enjoy gamification more than older employees and are most likely to engage with a gamified app in the workplace. The results further show a nuanced range of preferences regarding gamification elements: avatars are popular among all generations, badges are predominantly appreciated by Generations Z and Y, while leaderboards are solely liked by Generation Z. Drawing upon these insights, we provide recommendations for future gamification projects within business contexts. We hope that the results of our study regarding the preferences of the gamification elements and understanding generational differences in acceptance and usage of gamification will help to create more engaging and effective apps, especially within the corporate landscape.