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In the past decades, developments in the fields of medicine, new media, and biotechnologies challenged many representations and practices, questioning the understanding of our corporeal limits. Using concrete examples from literary fiction, media studies, philosophy, performance arts, and social sciences, this collection underlines how bodily models and transformations, thought until recently to be only fictional products, have become a part of our reality. The essays provide a spectrum of perspectives on how the body emerges as a transitional environment between fictional and factual elements, a process understood as faction.
Inner Congo
(2023)
This research-creation project, part of the DE\GLOBALIZE artistic research cycle presented at the #IFM2022 Conference, investigates the complexities of Congo violence, care, and colonialism. Drawing on Michel Serres' metaphor of the great estuaries, the study explores the topology of interactive documentaries, blending theory, emotion, and personal experiences. Accessible through the interactive web documentation at http://deglobalize.com, the platform offers a media-archaeological archive for speculative ethnography, enabling the forensic processing of single documents in line with actor-network theory.
Die Allgegenwart der elektronischen Hypersphäre weicht das Körperempfinden zunehmend auf. Umhüllt vom Rauschen der Cloud verliert das postmediale Selbst an Kontur, die zeitlichen und räumlichen Topologien des Ich erfahren immer neue Faltungen und Teilungen. Dies ist der Untersuchungsgegenstand von »Inter- corporeal Splits« (2010–2013) eines Zyklus’ von drei Skype-Performances über die Medialität von Stimme, Haut und Rhythmus.
Beuys-Gespräch
(2022)