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Durch das Verbundprojekt Gendering MINT digital – Open Science aktiv gestalten wurde ermöglicht, die immer noch marginale Inklusion von Genderwissen in MINT für ein erfolgreiches Gender Mainstreaming zu verbessern. Außerdem konnte das Projekt zur Vernetzung von Genderforschung, Lehre in den Gender Studies und Gleichstellungsarbeit beitragen sowie Transferwissen zur Kompetenzbildung in den MINT-Disziplinen erproben, evaluieren und für einen nachhaltigen Einsatz adaptieren.
Inner Congo
(2023)
This research-creation project, part of the DE\GLOBALIZE artistic research cycle presented at the #IFM2022 Conference, investigates the complexities of Congo violence, care, and colonialism. Drawing on Michel Serres' metaphor of the great estuaries, the study explores the topology of interactive documentaries, blending theory, emotion, and personal experiences. Accessible through the interactive web documentation at http://deglobalize.com, the platform offers a media-archaeological archive for speculative ethnography, enabling the forensic processing of single documents in line with actor-network theory.
DE\GLOBALIZE
(2022)
The artistic research cycle DE\GLOBALIZE is a media ecological search movement for the terrestrial. After examining matters of fact in India (2014-18), matters of concern in Egypt (2016-2019) and matters of care in the Upper Rhine (2018-22), the focus turns toward matters of violence in the Congo (2022). From matter to mater, mother-earth, the garden to exploitation. From science, water and climate to migration, oppression and extermination.
The long-term research is accessible through interactive web documentation. The platform serves as a continuous media-archaeological archive for a speculative ethnography. The relational structure of the videographic essay is enabling the forensic processing of single documents in the sense of the actor-network theory.
The subject of the presentation at IFM is a field trip to the Congo planned for March 2022, which will focus on the ambivalence of violence and care in collaboration with local artists. The field trip is based on the postcolonial reflection luderitzcargo by the author from 1996, in which a freight container was transformed into a translocal cinema in Namibia.
Through the journey to Congo, a group of media artists, a psychotherapist, a theater dramaturg, a filmmaker and a philosopher intend to explore the political, technological and psycho-geographic borders. By artistic interventions with locals, we want to interfere with relational string figures as part of the new Earth Politics. They are focusing on the displaced consumption of resources which are hard-fought and guarantee prosperity in the global north. The so-called ghost acreages are repressed and justified as part of a civilizational mission. With this trip, we want to confront our self-lies with the ones of our hosts. We want to confront ourselves with the foreign, the dark and the displaced ghosts within ourselves. In the presentation at the #IFM2022 Conference, the platform DE\GLOBALIZE will be problematized itself as an example of epistemic violence for the ethnographic memory of (Western) knowledge.
We are not the missionaries but the perplexed travellers. In our search movement, we are dealing with psychoanalysis, video, performance and trance. As disoriented white men we try the reversal of Black Skin and White Mask by Franz Fanon without blackfacing. We will not only care about the sensitivity of our skin but that of our g/hosts and the one of mother earth.
Beuys-Gespräch
(2022)
JARDIN GLOCAL
(2021)
Das künstlerische Forschungsprojekt DE/GLOBALIZE ist eine medienökologische Suchbewegung nach dem Terrestrischen. Im abschließenden Kapitel JARDIN GLOCAL schwenkt der Fokus von den Matters of Fact in Indien, über Matters of Concern in Ägypten hin zu Matter of Care am Oberrhein. Von Matter, Materie, über Mater, die Mutter-Erde, hin zum Garten – als eine Welt innerhalb von Welten, die einem zu Füßen liegt. Wir verstehen JARDIN GLOCAL als ein Labor, in dem der Mensch mit sich in Beziehung tritt. Ein Ort, der sich zwischen Hu- manisierung und Ausbeutung bewegt; der oft überraschende Gewächse, Eingriffe und Prozesse hervorbringt. Vor allem aber als einen Topos, der besondere Beobachtungen in Gang setzt.
JARDIN GLOCAL
(2020)
DE\GLOBALIZE
(2020)
Die Allgegenwart der elektronischen Hypersphäre weicht das Körperempfinden zunehmend auf. Umhüllt vom Rauschen der Cloud verliert das postmediale Selbst an Kontur, die zeitlichen und räumlichen Topologien des Ich erfahren immer neue Faltungen und Teilungen. Dies ist der Untersuchungsgegenstand von »Inter- corporeal Splits« (2010–2013) eines Zyklus’ von drei Skype-Performances über die Medialität von Stimme, Haut und Rhythmus.
In the past decades, developments in the fields of medicine, new media, and biotechnologies challenged many representations and practices, questioning the understanding of our corporeal limits. Using concrete examples from literary fiction, media studies, philosophy, performance arts, and social sciences, this collection underlines how bodily models and transformations, thought until recently to be only fictional products, have become a part of our reality. The essays provide a spectrum of perspectives on how the body emerges as a transitional environment between fictional and factual elements, a process understood as faction.